For Chicago sociology professor Amelia Emmet, violence was a research topic--until a student she'd never met shot her. He also shot himself. Now he's dead and she's back on campus, trying to keep up with her class schedule, a growing problem with painkillers, and a question she can't let go: Why? All she wants is for life to get back to normal, but normal is looking hard to come by. She's thirty-eight and hobbles with a cane. Her first student interaction ends in tears (hers). Her fellow faculty members seem uncomfortable with her, and her ex--whom she may or may not still love--has moved on. Enter Nathaniel Barber, a graduate student obsessed with Chicago's violent history. Nath is a serious scholar, but also a serious mess about his first heartbreak, his mother's death, and his father's disapproval. Assigned as Amelia's teaching assistant, Nath also takes on the investigative legwork that Amelia can't do. And meanwhile, he's hoping she'll approve his dissertation topic, the reason he came to grad school in the first place: the student attack on Amelia Emmet. Together and at cross-purposes, Amelia and Nathaniel stumble toward a truth that will explain the attack and take them both through the darkest hours of their lives.

Lori Rader-Day, author of The Black Hour and Little Pretty Things, is a two-time Mary Higgins Clark Award nominee and the recipient of the 2014 Anthony Award for Best First Novel. Lori’s short fiction has appeared in Ellery Queen Mystery Magazine, Time Out Chicago, Good Housekeeping, and others. She lives in Chicago, where she teaches mystery writing at StoryStudio Chicago and serves as the president of the Mystery Writers of America Midwest Chapter. Her third novel will be released by Harper Collins William Morrow in spring 2017.